Литература Великобритании и США

28. The mental ferment of the period was almost as intense as its political agitation. Thus, the antislavery movement, which aimed to rescue the negro from his servitude, was accompanied by a widespread communistic attempt to save the white man from the manifold evils of our competitive system of industry. Brook Farm [Footnote: This was a Massachusetts society, founded in 1841 by George Ripley.

It included Hawthorne, Dana and Curtis in its large membership, and it had the support of Emerson, Greeley, Channing, Margaret Fuller and a host of other prominent men and women] was the most famous of these communities; but there were more than thirty others scattered over the country, all holding property in common, working on a basis of mutual helpfulness, aiming at a nobler life and a better system of labor than that which now separates the capitalist and the workingman.This brave attempt at human brotherhood, of which Brook Farm was the visible symbol, showed itself in many other ways: in the projection of a hundred social reforms; in the establishment of lyceums throughout the country, where every man with a message might find a hearing. In education our whole school system was changed by applying the methods of Pestalozzi NATHANIEL HAWTHORNE (1804-1864) Some great writers belong to humanity, others to their own land or people. Hawthorne is in the latter class apparently, for ever since Lowell rashly characterized him as "the greatest imaginative genius since Shakespeare" our critics commonly speak of him in superlatives. Meanwhile most European critics (who acclaim such unequal writers as Cooper and Poe, Whitman and Mark Twain) either leave Hawthorne unread or else wonder what Americans find in him to stir their enthusiasm. There is an air of reserve about Hawthorne which no biography has ever penetrated. A schoolmate who met him daily once said, "I love Hawthorne; I admire him; but I do not know him. He lives in a mysterious world of thought and imagination which he never permits me to enter." That characterization applies as well to-day as when it was first spoken, almost a century ago. To his family and to a very few friends Hawthorne was evidently a genial man. Love brought him out of his retreat, as it has accomplished many another miracle. When he became engaged his immediate thought was to find work, and one of his friends secured a position for him in the Boston customhouse, where he weighed coal until he was replaced by a party spoilsman. When his Boston experience was repeated at Salem he took his revenge in the opening chapter of The Scarlet Letter, which ridicules those who received political jobs from the other party.] There were no civil-service rules in those days. Hoping to secure a home, he invested his savings in Brook Farm, worked there for a time with the reformers, detested them, lost his money and gained the experience which he used later in his Blithedale Romance. Then he married, and lived in poverty and great happiness for four years in the "Old Manse" at Concord. Another friend obtained for him political appointment as surveyor of the Salem customhouse; again he was replaced by a spoilsman, and again he complained bitterly. The loss proved a blessing, however, since it gave him leisure to write The Scarlet Letter, a novel which immediately placed Hawthorne in the front rank of American writers. He was now before an appreciative world, and in the flush of fine feeling that followed his triumph he wrote The House of the Seven Gables, A Wonder Book and The Snow Image. Literature was calling him most hopefully when, at the very prime of life, he turned his back on fortune. His friend Pierce had been nominated by the Democrats (1852), and he was asked to write the candidate’s biography for campaign purposes. It was hardly a worthy task, but he accepted it and did it well. When Pierce was elected he "persuaded" Hawthorne to accept the office of consul at Liverpool. The emoluments, some seven thousand dollars a year, seemed enormous to one who had lived straitly, and in the four years of Pierce’s administration our novelist saved a sum which, with the income from his books, placed him above the fear of want. Almost the first thing we notice in Hawthorne is his style, a smooth, leisurely, "classic" style which moves along, like a meadow brook, without hurry or exertion. Gradually as we read we become conscious of the novelist’s characters, whom he introduces with a veil of mystery around them. They are interesting, as dreams and other mysterious things always are, but they are seldom real or natural or lifelike. At times we seem to be watching a pantomime of shadows, rather than a drama of living men and women. Herman Melville was an American novelist, short story writer, essayist, and poet. He is best known for his novel Moby-Dick and the posthumous novella Billy Budd. His first three books gained much contemporary attention (the first, Typee, becoming a bestseller), but after a fast-blooming literary success in the late 1840s, his popularity declined precipitously in the mid-1850s and never recovered during his lifetime. When he died in 1891, he was almost completely forgotten. It was not until the "Melville Revival" in the early 20th century that his work won recognition, especially Moby-Dick which was hailed as one of the literary masterpieces of both American and world literature. in his tales we can see elements of imagination and adventure. Typee, White Jacket, Moby Dick,--these are capital tales of the deep, the last-named especially.Typee (a story well known to Stevenson, evidently) is remarkable for its graphic pictures of sailor life afloat and ashore in the Marquesas Islands, a new field in those days. The narrative is continued in White Jacket, which tells of the return from the South Pacific aboard a man-of-war. In Moby Dick we have the real experience of a sailorman and whaler (Melville himself) and the fictitious wanderings of a stout captain, a primeval kind of person, who is at times an interesting lunatic and again a ranting philosopher. In the latter we have an echo of Carlyle, who was making a stir in America in 1850, and who affected Melville so strongly that the latter soon lost his bluff, hearty, sailor fashion of writing, which everybody liked, and assumed a crotchety style that nobody cared to read.

29. Realist of a very different kind is Samuel L. Clemens (1835-1910), who is more widely known by his pseudonym of Mark Twain. The remaining works of Mark Twain are, with one or two exceptions, of very doubtful value. Their great popularity for a time was due largely to the author’s reputation as a humorist,--a strange reputation it begins to appear, for he was at heart a pessimist, an iconoclast, a thrower of stones, and with the exception of his earliest work, The Celebrated Jumping Frog (1867), which reflected some rough fun or horseplay, it is questionable whether the term "humorous" can properly be applied to any of his books. Thus the blatant Innocents Abroad is not a work of humor but of ridicule (a very different matter), which jeers at travelers who profess admiration for the scenery or institutions of Europe,--an admiration that was a sham to Mark Twain because he was incapable of understanding it. So with the grotesque capers of A Connecticut Yankee at King Arthur’s Court, with the sneering spirit of The Man that Corrupted Hadleyburg, with the labored attempts to be funny of Adam’s Diary and with other alleged humorous works; readers of the next generation may ask not what we found to amuse us in such works but how we could tolerate such crudity or cynicism or bad taste in the name of American humor.The most widely read of Mark Twain’s works are Tom Sawyer and Huckleberry Finn. The former, a glorification of a liar and his dime-novel adventures, has enough descriptive power to make the story readable, but hardly enough to disguise its sensationalism, its lawlessness, its false standards of boy life and American life. In Huckleberry Finn, a much better book, the author depicts the life of the Middle West as seen by a homeless vagabond. With a runaway slave as a companion the hero, Huck Finn, drifts down the Mississippi on a raft, meeting with startling experiences at the hands of quacks and imposters of every kind. One might suppose, if one took this picaresque record seriously, that a large section of our country was peopled wholly by knaves and fools. The adventures are again of a sensational kind; but the characters are powerfully drawn, and the vivid pictures of the mighty river by day or night are among the best examples of descriptive writing in our literature. John Griffith London was an American author, journalist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. He is best remembered as the author of White Fang and Call of the Wild, set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". London's "strength of utterance" is at its height in his stories, and they are painstakingly well-constructed. Jack London was an uncomfortable novelist, that form too long for his natural impatience and the quickness of his mind. His novels, even the best of them, are hugely flawed.

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